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        Direct Personal Experiences:
        A
        Passionate Living Moment
         By
        
        Pinky Serafica 
        (posted
        july 8) 
        A
        Have you ever had moments when you breathe in and realize joy, get a
        glimpse of soul and the divine,  know that the world and you are
        one and seamless, and you hug yourself or agree with another heart that
        "oh yeah, this is good!"? 
         
        And you gush telling people about it later, your words and movement
        tumbling over themselves in frenzy, and you just cannot help but giggle
        when crossing the street, and have strange tambays tease you,
        "uy, in love siya!" 
         
        a month ago, i went to a talaandig community at the foot of mt.
        kitanglad in bukidnon and apprenticed as dancer and drummer under the
        mentoring of an indigenous artist, waway saway. having had his share of
        naughty and nice art and culture circles, he went back to his tribe to
        return the borrowed inspiration that spawned many an artwork and many a
        musical piece. waway intuitively knew that i did not have the patience
        for classroom-type sessions so the workshop went on while he was
        farming, chanting to his kids, playing the flute to welcome sunrises
        (shifting to drums later to wake me up) where one looks down instead of
        up (much like being in mt. pulag), walking, jamming with other talaandig
        youth -- in other words, my training was lived. 
         
        in between writing and directing, i was already performing with sheila-na-gig,
        an all-women percussion, dance and chanting group. i felt though that i
        needed some kind of grounding again, wishing my fingers and feet weren't
        too stylized but rooted in what waway called as the "origin of
        sound and movement," nature and community and me as my source and
        reservoir. my last connection, after all, was years ago with datu gibang
        of the ata-manobo -- him who spoke to me from his tattooed eyes knowing
        no cebuano or tagalog. but that was different, he was getting the
        warriors ready for a pangayaw (war) then because their land, and
        lives, were threatened. 
         
        in kitanglad, i was given the name "banog" for hawk because
        the talaandig's dance was patterned after the bird, and waway made me
        simulate its flight while on the mountain slope, barefoot, weaving among
        the pechay and kamatis -- "lipad, pinks, lipad!" --
        with the kids, badu and ella joining the glide, making waway a pied
        piper of sorts, the drums reverberating in the background. 
         
        my baptism came because everytime hawks appear, i'd go crazy in
        excitement, running after them, and dancing. waway's family and other
        locals though would also go crazy with excitement but for another reason
        -- while the banog for me was a symbol of great freedom and
        environmentalism, for them, they were, in all practicality, pests and
        thieves, stealing chickens and other small livestock from an already
        poor farmer, so their appearances weren't exactly welcome. 
         
        with waway i painted with earth (literally), a new hue was found in our
        hike close to the river. we planned to drum and dance in a sacred place
        higher up, and deeper into the forests but the rains said i should just
        come back. sultan, the tribe's youngest hunter, told me of a dream about
        deer and invited me on a hunt -- which meant the keeper of deers was
        ready to give up one of its own to our realm, but i am a vegetarian and
        still aghast at killings. erwin ("kidagaw") tells me sultan
        gets sick if he doesn't up and run with his dogs and spear, if he dares
        defy the keeper and his summons. 
         
        waway's house leaked, and we shivered nightly from the cold that almost
        always finds the many holes. the kettle and table are familiar with
        vegetables and dried fish, meat is a stranger. packed ketchup which got
        lost in my camping pack was a delicacy. when his kids have need of
        medicine that herbs cannot treat, he runs to friends in malaybalay. 
        teaching at the living school which he helped found does not pay, at
        least for dinner or clothes or a new paintbrush. the tribe is poor,
        gambling is an easy out, and shabu has not gone its rounds yet nor
        stayed, because they can't afford it.      
         
        and yet waway stays, and erwin is getting ready to build his own little
        space, offending deeply his middle class family in the city. they thank
        me for the gift of presence, because it was the strongest argument for
        the other talaandig youth to be talaandig, and live talaandig. why else
        would a city girl go all the way to learn talaandig? 
         
        though i still cannot salute the sunrise with my gift of flute and wind,
        i drum everyday, and dance. it's the only promise i made after all, to
        my teacher, that i will live it.   
         
        moonlight and sunflowers, 
        pinky 
         
        Too
        Late the Tears?
         By
        
        Ding
        Reyes 
        A
        FEW years ago, I confronted the question of death and its painful
        suddenness, when something dramatic happened right in our immediate
        neighborhood.  There was this family who lived right across our
        apartment unit, such that our doors were practically facing each other,
        and they had a lad of 19 years, whom I'll call "Laddie" in
        this story. 
        I
        frequently met Laddie along the shared driveway and I'd always notice
        his cheerful smile.  That's why I couldn't believe the one-liner
        response I got when I was awakened early one morning by unusual
        commotion by their door and asked its cause: Laddie, our
        quick-to-smile neighbor, had just committed suicide.  He did it
        by hanging himself with an electric cord from the staircase of their
        apartment unit, at a spot no more than ten meters from where I lay
        soundly asleep.  His parents and siblings were, of course, much
        closer. 
        As
        I jumped out of bed, I heard the whole neighborhood thrown into
        commotion. There was a cacophony of mixed conversations-- there was
        sobbing, shouting, expressions of disbelief, shouted orders for one to
        get a doctor, a priest, or the barangay chairman.   
        I
        was to learn later that sparks of conflict in the family, which
        occasionally led to explosions of verbal and even physical abuse with
        him as a frequent recipient, had driven him to depression. He had other
        personal problems, as well. 
        All
        these thoughts were turning around inside my mind as I beheld Laddie in
        a coffin that evening, with members of the family shouting out at his
        face, amid all the sobbing, how much they loved him.  I believe
        they meant every word of it, every teardrop was coming from deep within
        the heart, so to speak, but could he still hear any of it?   
        Yes,
        they all loved him.  And, apparently, they were very confident that
        he knew this all along, that they had adequately expressed their love
        for him all those years, despite their family's share of ruffles and
        spikes of conflict that might have occasionally clouded the message. 
        Laddie's
        death was much more painful for a family than most deaths because a
        permanent sense of questioning, perhaps even a tinge of guilt, would
        rankle: Why did he kill himself??? We loved him so!!!  This wound
        is not of the kind that heals fast and easy.  
        As
        I stood watching in prayerful silence to one side of the small funeral
        parlor, with an arm around the neck of my younger son who had
        accompanied me to the wake, I asked myself, how sure I could be that the
        people I love very dearly know fully well that I do.  My own son,
        whose body was pressed against mine, and his elder brother at home, how
        much do they feel my love? How sure have I made them of it?  
        This had been very difficult, because I had to do alone as a single
        parent the task of disciplining and of assuring of parental love, at the
        time they were passing into adolescence.   
        Laddie's
        suicide hit me hard at the heart because even as I had been quick to
        smile back at his cheerful grins. I never got to strike a conversation
        with him.  If I had only known there was a tormented sould behind
        that smile, I might have been able to help him somehow. There had
        earlier been young men not much older than him, who had turned me into
        their adopted "kuya," poured out their sorrows and dilemmas
        right into my slightly oversized ears, listened to whatever words I
        could manage to give, and months later, cheerfully thanked me for
        helping them get through those trying times. As I had earlier told them
        would happen, each would be laughing at himself and the problem
        itself.  These youngmen lived far away from my house and they got
        to talk with me mainly by phone.  But Laddie's front door was just
        right across my own!  And I was meeting him in our shared driveway
        practically everyday! 
        To
        snap out of the guilt mood I was starting to sink into, I told myself,
        more convincingly this time, what I had been whispering then to Laddie's
        bereaved father: The "Great Author" must have had plans for
        him, plans that humans cannot expect, much less demand, to know. 
        Let us accept that Laddie has left us.  What else could we do? 
        In
        a way I may have been luckier than my neighbor and all others who have
        lost loved ones to sudden deaths.  A year ahead before Laddie's
        death, my Lifepartner passed away after a lingering illness that
        prepared her and all of us around her to confront philosophically and
        with equanimity the question of death. 
        While
        she vehemently refused to go along with the belief that cancer is
        automatically a death sentence, and instead actively led in the
        formation of a well-rounded support network for cancer patients and
        their care-givers, she faced dying squarely at the time she already had
        to. 
        And
        she said she was bringing absolutely nothing from this life -- no
        possessions, no attachments, perhaps not even memories.  Shortly
        before she died, she changed that a little -- but profoundly -- and said
        she was bringing along only her spirituality, whatever spiritual growth
        she was able to achieve in this life. Then she went back the "The
        Source," her name for The Great Author. 
        There
        remain a lot of questions surrounding the matter of death and
        dying.  I am contemplating them on-and-off over these years. 
        If we are to believe what has often been written, both Laddie and my
        departed Lifepartner are deeply happy now somewhere beyond our human
        ken.  It is this sense of hope in happiness after death that I
        found somewhat effective in consoling Laddie's father.  And in
        consoling myself. 
        Pray
        for Laddie and for Cita?  No, I think they're closer to God now, or
        "more of God," after freeing themselves as souls
        from  the distractions of mind and body.  We pray for them for
        our own sense of closure and consolation.  And they pray for
        us.  I think we are the ones who really need praying for.  
         
         
        Vicarious Experiences (coming from real life experiences of persons who
        are directly known by the senders):
          
         
        SANIB SINAG 
         
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